Visionary is the adjective that best suits Ugo Maria Cionfrini a true poet of the camera that in his hand becomes an extension of the same value as the romantic pen in the hand of a writer. Like the poet, who draws words from the immense dictionary of his own language, an action that anyone can perform, Ugo Maria sees in the world surrounding him poetic images that go beyond what is commonly seen, beyond appearance.
On the tip of the poet’s pen, words take away the sense of contemplation, depth, description and explanation that the writer wants to transfer as is the case with the images captured by Ugo Maria, supplemented by titles that They become inseparable as the pronoun and the verb of the incised Manzon: “It was not.”
In this, Ugo Maria Cionfrini, is visionary as it gives us his foresight through showing us the innovative perspectives of the world around us. This, if we want to locate it, is the thread of the artistic production of our “Poet”. Some serial visions, such as the evocative Zampilli of well-known shapes, become the reiterated and consolidated confirmation of his dowry.